The work explores motion within stillness, emerging from a condition of continuous relocation and accelerated events. Rather than narrating movement, it establishes a state of suspension—balancing navigation with groundedness. The physical presence and weight of the audience function as anchors, situating their bodies within space and reaffirming their connection to the earth.

Moving away from the rigid regulation of quantifiable clock time, the work seeks to communicate time as a continuous transition—one that accommodates memory, durée and being. It questions a hierarchical mode of perception, where dominance and certainty are embedded, while acknowledging human agency and its limitations within systems beyond comprehension.

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Void (2022)

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Village (2025)